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Film ThreatLorry Kikta

“The Clovehitch Killer is one of the best horror films to come out this year. It’s intelligent and subversive, and it captures the banality of small-town life perfectly.”

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Entertainment WeeklyDana Schwartz

“Unlike so many recent horror movies, The Clovehitch Killer is patient with its thrills, almost excruciatingly so.”

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IGNNo Title

“The Clovehitch Killer is a truly scary and surprisingly thoughtful flick which transcends the trappings of its genre roots with sterling direction and a minimalistic approach to horror.”

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The PlaylistKyle Kohner

“It’s not only a realistic portrait of a conservative Middle America but a devastating portrayal of what happens when a family goes murderously awry.”

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VarietyDennis Harvey

“This atypical serial-killer thriller distinguishes itself in resisting thrills — let alone any actual violence — till well past its halfway point, instead maximizing the quiet discomfort in a son’s rising suspicion that his outwardly Dagwood-type dad could be a notorious murderer.”

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Los Angeles TimesNoel Murray

“Skiles keeps the film’s pacing slow, which at times builds tension, at times makes everything feel more off-kilter, and at times is … well, just slow. Mostly the director and his superb cast use the extra time to explore the nuances of Ford’s tale of sick compulsions and social pressures.”

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The New York TimesJeannette Catsoulis

“With its achingly slow build and understated performances, The Clovehitch Killer strains to surmount its lack of urgency.”

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The Hollywood ReporterJustin Lowe

“More reliant on atmosphere than action to build suspense, Duncan Skiles’ The Clovehitch Killer offers an intriguing perspective on the darker side of American values, but lacks the conviction to entirely expose the cultural contradictions that often enable compulsive murderers”

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RogerEbert.comBrian Tallerico

“The fact is that as good as Plummer and McDermott are here, Ford ultimately writes himself into a corner that requires actions in the final act that don’t ring true.”

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The Film StageJared Mobarak

“It’s a shame because McDermott effectively toes the line between dorky and menacing (before the film explains which is real), Plummer is great playing with a loaded deck of anxieties and insecurities, and Beaty performs her role perfectly until the writing abandons what made her necessary.”

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Knoxville Horror Film Fest2018

“2018 Winner Jury Grand Prize, Duncan Skiles (director)”